PAULA DAMASCENO
Bibliography that influences my work.
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Adeleke, Tunde. “Black Americans and Africa: A Critique of the Pan-African and Identity Paradigms.” The International Journal of African Historical Studies 31, no. 3 (1998): 505–36. https://doi.org/10.2307/221474.
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Akurang-Parry, Kwabena O. “Aspects of Elite Women's Activism in the Gold Coast, 1874-1890.” The International Journal of African Historical Studies 37, no. 3 (2004): 463–82. https://doi.org/10.2307/4129041.
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Azulai, Ariʾelah. The Civil Contract of Photography. New York, NY: Zone Books, 2014.
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Bastide, Roger, and Peter Green. African Civilizations in the New World: Tr. from the French. Lond.: Hurst, 1971.
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Benjamin, W. “A Short History of Photography.” Screen 13, no. 1 (1972): 5–26. https://doi.org/10.1093/screen/13.1.5.
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Brivio, Alessandra. “‘I Am a Slave Not a Wife’: Slave Women in Post-Proclamation Gold Coast (Ghana).” Gender & History 29, no. 1 (2017): 31–47. https://doi.org/10.1111/1468-0424.12279.
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Brizuela, Natalia, and Jodi Roberts. The Matter of Photography in the Americas. Iris et B. Gerald Cantor Center for the Visual Arts: Stanford, 2018.
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Cameron, Kenneth M. “Paul Robeson, Eddie Murphy, and the Film Text of ‘Africa.’” Text and Performance Quarterly 10, no. 4 (1990): 282–93. https://doi.org/10.1080/10462939009365979.
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Campt, Tina. Listening to Images. Durham, NC: Duke University Press, 2017.
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Copeland, Huey. Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America. S.l.: s.n., 2013.
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Dash, Julie, and Julie Dash. Daughters of the Dust, n.d.
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Edwards, Gus, Victor Leo Walker, and Paul Carter Harrison. Black Theatre Ritual Performance in the African Diaspora. Philadelphia: Temple University Press, 2002.
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Flusser Vilém. Towards a Philosophy of Photography. London: Reaktion Books, 2018.
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Frank, Allegra. “After Coming 2 America, I Get Why My Mom Hated the Original.” Slate Magazine. Slate, March 5, 2021. https://slate.com/culture/2021/03/coming-2-america-review-african-stereotypes-wesley-snipes.html.
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Gates, Racquel J. Double Negative: The Black Image and Popular Culture. Durham, NC: Duke Press, 2018.
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Grigsby, Darcy Grimaldo. Enduring Truths: Sojourner's Shadows and Substance. Chicago, IL: The University of Chicago Press, 2015.
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Hinson, Hal. “Coming to America.” The Washington Post. WP Company, June 29, 1988. https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/comingtoamericarhinson_a0c8df.htm.
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Hooks, Bell. Art on My Mind: Visual Politics. New York: New Press, 1995.
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Keim, Curtis A., and Carolyn M. Somerville. Mistaking Africa: Curiosities and Inventions of the American Mind. New York: Routledge, 2019.
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Martins Cléo, and Roberval Marinho. Iroco: O Orixá Da Árvore e a árvore orixá. Rio de Janeiro: Pallas, 2002.
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Moten, Fred. Black and Blur. Durham: Duke University Press, 2017.
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Ogbebara, Awofa. Igbadu, a cabaça Da existência: Mitos Nagôs Revelados. Rio de Janeiro: Pallas, 2006.
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Oyewum, Oyeronk. The Invention of Women: Making an African Sense of Western Gender Discourses. Minneapolis: University of Minnesota Press, 2016.
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“Pan-Africanism.” Encyclopædia Britannica. Encyclopædia Britannica, inc. Accessed April 18, 2022. https://www.britannica.com/topic/Pan-Africanism.
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Pinney, Christopher, and Nicolas Peterson. Photography's Other Histories. Durham: Duke University Press, 2003.
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Sekula, Allan. “The Body and the Archive.” The Body, 2020, 163–66. https://doi.org/10.4324/9781003060338-27.
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Silverman, Kaja. The Miracle of Analogy, or, the History of Photography. Stanford, CA: Stanford University Press, 2015.
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Turner, Sarah E. “Blackness, Bayous and Gumbo: Encoding and Decoding Race in a Colorblind World.” Essay. In Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability, edited by Johnson Cheu, 83–98. Jefferson, NC: McFarland & Company, Inc., Publishers, 2013.
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Visonà Monica Blackmun, Robin Poynor, and Herbert M. Cole. A History of Art in Africa. Upper Saddle River, NJ: Pearson Prentice Hall, 2008.
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“Vol 47.2: Ancestors.” Parabola Online Store. Accessed January 27, 2023. https://store.parabola.org/vol-472-ancestors-p220.aspx.
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Zylinska, Joanna. Nonhuman Photography. Cambridge, MA: The MIT Press, 2017.